I was born on 7 November 1952 in Moscow. I studied at the Historical-Archival Institute, from which I graduated after writing a dissertation titled The Commission for the Preservation of the Monuments of Art and Antiquity of the Trinity-Sergius Lavra, 191 8-1 925. Survey of Materials [Komissiia PO okhrane pamiatnikov iskusstva i stariny Troitse-Sergievoi lavry. 1918-1925. Obzor materialov].

The Russian poet and anthroposophist Andrei Belyi has four poems from 1918 with the same title, Anthroposophy [Antroposofiia]. These are love poems and anthroposophy is represented in them as a living spiritual being of female gender. The principal attribute of this being is a "clear gaze," "flashing eyes," which regard the poet from the precincts of light, of blueness, from waves of aromas and musical harmonies. These verses are clearly oriented to the poem "Three Encounters" [Tri vstrechi] by Vladimir Solov'ev, (...) the theme of which is the thrice-repeated vision of what Solov'ev recognized as the Sophia of the ancient Gnostics and of Jakob Böhme. How are we to understand Belyi's enigmatic poetic intent? How does anthroposophy—a "science of the spirit," an occult system created by Rudolf Steiner—become in Belyi's imagination now a "sister," now a beloved—"tender, gentle, and kind"—linked to the poet by a mysterious and fateful meeting in eternity? Most importantly, what does this anthropomorphism of anthroposophy mean? The suggestion that these verses may have had real prototypes poems does not eliminate the question. But the question is resolved if we turn to a very well-known and in certain respects key lecture by Steiner entitled "The Essence of Anthroposophy," which he gave in Berlin in February 1913, and which Andrei Belyi attended. This lecture not only provides the key to those of Belyi's poems of interest to us here; it also brings us directly to the theme of our present study, inasmuch as its content creates a bridge between Russian religious culture of the late nineteenth and the early twentieth centuries, developing under the aegis of Sophia, and the latest German gnosis. It is therefore worth dwelling on it especially. (shrink)

Thinkers in the twentieth century in the West arrived by various routes at the idea of certain correspondences between being and language—an idea that was impossible in epochs when the link with classical philosophy was still alive. M. Heidegger's statement about language as "the house of being "could serve as a motto for systems of that kind. In Russian thought mainly of the first two decades of the twentieth century, there are deep and philosophically elegant conceptions that make the same (...) point as Heidegger's thesis—the beingness of language. Language is rooted in objective being and the nature of the word transcends human limitations and partakes of the sphere of objective spirit. We shall examine a number of theories of Russian philosophers in whom philology appears as a unique kind of ontology. Thus, in P. Florenskii the philosophy of language is, at one point, a doctrine of Naturphilosophie and, at another point, a semi-occult doctrine; in A. Losev the dialectic of the name turns into a cosmology and cosmogony as well as into a gnostic theology. A number of important twentieth-century Russian thinkers regarded the word as the central focus of their views. Apparently, this is an essential feature of philosophy in the twentieth century. (shrink)